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Enhancing the Digital Experience of Canada’s #1 Museum

Project Overview

The client

The Royal Ontario Museum

As the largest museum in Canada and one of the largest in America, the Royal Ontario Museum has quite a reputation for its diverse collections.

The ask

Complete website redesign

Following their rebranding, the Royal Ontario Museum wanted to redesign their website to improve on both aesthetics and user experience.

The role

UX Designer

Balancing business and user needs to streamline the navigation

Facilitating client workshops

Building user archetypes

Conducting user research

Designing lo-fi mockups

Collaborators

Strategy Expert

Creative Director

Product Owner

Technical Lead

Balancing business and user needs

Balancing business and user needs

Collaborating with a strategy expert and the client, we prioritized defining business goals early to ensure team alignment. My role was to advocate for the user's interests and needs throughout the process.

Collaborating with a strategy expert and the client, we prioritized defining business goals early to ensure team alignment. My role was to advocate for the user's interests and needs throughout the process.

Identifying the business needs

The website plays a vital role in the ecosystem of the Royal Ontario Museum by providing essential information to visitors and contributing to its revenue stream.

1

Increase revenue from visitors, members, and patrons

2

Increase awareness and consideration of ROM’s content and programs

3

Increase loyalty through membership subscription and renewal

Creating Archetypes to Align the Team on User Needs

In order to better understand the user needs relative to the website, I used the existing media audiences to shape archetypes.

Why Archetypes Instead of Personas ?

Archetypes are more inclusive than personas as they avoid regrouping every user under a single face. They provide the same information as persona, but avoid implicit exclusion of minorities.

Data used

Frequency of visit

Importance of ROM’s cultural mission

Openness toward learning

Key drivers to choosing attraction to visit

Pains and gains for visiting ROM

Membership percentage

Main archetypes

Occasional Visitors

Tourists or local population that visit ROM less than a few times a year for entertainment value.

Challenges

Making the most of their visit while limiting their planification time

Needs

Curated selection of exhibitions, events and activities to engage with at the museum

General information and maps to help orient them onsite

Engaged Visitors

Visitors that have a profound interest in ROM and its offerings, beyond entertainment value.

Challenges

Staying interested and engaged with the museum’s offerings despite frequent visits

Needs

Discovering in-depth information on featured objects or collections on display at the museum

Being informed on limited-time exhibitions, events and activities taking place

secondary archetypes

Experts

Professionals or enthusiasts with a significant interest in specific topics related to ROM’s collections and research.

Learners

Learners are individuals engaged in self-directed education.

Educators

Teaching professionals that use ROM as a resource for teaching and engaging their students.

Defining Key Experience Areas

After gaining a thorough understanding of users and business needs, it became clear that content related to those themes would be of utmost importance.

Visitor information

Demonstrating how the museum is a key destination while simplifying the users' planification time, showcasing important information on on-site amenities and key locations

Museum access

Simplifying the journey to find out about the entrance fee and ticket purchasing, as well as types of access to various activities and

Exhibitions and events

Facilitating planning and organization for visitors and members

Membership

Showcasing all the benefits of the various memberships tiers for users and how does this revenue stream benefits the museum to encourage adhesion

Programs and learning activities

Catering mostly to secondary audience, those type of content fulfill a vital part of the museum's role as a public institution focused on knowledge and history

And so, we embarked on a journey to review the content architecture and ultimately, streamline the website's navigation.

Reviewing the Content Architecture

Reviewing the Content Architecture

The website's growth had exceeded the limitations of its navigation. I led the redesign of the main menu, starting from the foundation: the content architecture.

The website's growth had exceeded the limitations of its navigation. I led the redesign of the main menu, starting from the foundation: the content architecture.

Starting from the Beginning…or Not ?

Initially, the client asked me to rework their whole content architecture as their current content had outgrown the original one.

However, I discovered that previous work had been done. Instead of disregarding it, I spent time evaluating the suggested new categories and labels. Everything seemed quite good and yet, the client was reluctant to move forward with it.

This made me wonder: what were the deeper issues at play here ?

Visit

Activities

Events

Programs

Exhibitions

Tickets

Airing Out Doubts and Questions

To truly understand why there was so much resistance to the new sitemap, I facilitated a workshop with all major projects stakeholders. The goal was to figure out their concerns and bring everyone on the same page regarding the new sitemap.

To help discussions, I put together a quick survey using the Likert scale to gather the stakeholders thoughts on :

  • Content coverage

  • User journey facilitation

  • Content categorization and hierarchy

Uncovering the Real Issues

The survey revealed that much of the stakeholders thought the sitemap did a pretty decent job of "bucketing the current content". During the workshop, the discussions focused on those two points :

  • Differentiation: to elevate the Royal Ontario Museum's website above the competition, a lot of comments focused on trying out new labels for the navigation

  • Lack of user research: most of them were adamant that the sitemap had not been tested by users and so they had no idea of knowing if it would perform well.

Understanding The Landscape

To address the first concern, I did a comprehensive landscape analysis of other museum sitemaps and label conventions. The goal was to understand how strong the conventions were. In doing so, I got a much better grasp on how much users rely on common concepts for their navigation.

Royal Ontario Museum
Gardiner Museum
British Royal Museum
Museum
Of Modern Art
The Met

Visit

Visit

Dine

Shop

Visit

Visit

Visit

Buy Tickets

N/A

N/A

Tickets

Buy tickets

Exhibitions and Galleries

What's On

What's On

Exhibitions and Events

Exhibitions and Events

Exhibitions and Events

Rom at Home

Learning

Collections and Research

Collections

Learn and Make

Collection

Learn

Art and Artists

Art

Learn with Us

Research

Join

Support

Donate

Member Login

Join and Support

Donate

Sign In

Membership

Support Us

Donate

Membership

Become a member

Make a donation

Capitalizing on Strong Conventions to Maximize Content Discovery

The truth was that museums were mostly re-using a mix of the same labels. This meant that users would have fairly strict expectations on content architecture. Choosing not to follow these conventions would probably cause more harm than benefits, as it would introduce an unnecessary learning curve into content discovery.

Redirecting Efforts Toward User Research

Fully aware that these arguments may not be enough to convince stakeholders, I proposed to redirect our efforts toward user research instead of spending time on a third iteration of the content architecture.

The clients and I opted to go for a tree test to gather as much early feedback as possible.

Key Takeaways

The tree test was highly successful and the content architecture was understood by most users. They were able accomplish most tasks, especially essential ones.

Average success rates

76%

Overall

80%

Direct

Multiplying purchase paths

Users purchase tickets through various paths, such as navigation, Exhibition Pages, and the What’s On section. This highlighted the need to accommodate diverse entry points in the design.

Keeping familiar labels for clarity

Using familiar labels from other well-known museums can help users quickly understand the website's content organization, reducing cognitive load and improving navigation

Implementing internal linking to bridge gaps in content with ambiguous categorization

Some tasks took users to multiple sections of the sitemap, but effective internal linking can guide users to the right information within a few clicks.

Aligning design decisions with audience expertise

The low success rate for “Completing a research project” reflects audience expertise; museum professionals and staff performed significantly better than regular visitors (75% vs. 23%).

From Content Architecture to Navigation

From Content Architecture to Navigation

Once the content architecture was settled, the next step was to re-design the navigation. Collaborating with a creative director, I advocated for a complete overhaul of the visual patterns used.

Once the content architecture was settled, the next step was to re-design the navigation. Collaborating with a creative director, I advocated for a complete overhaul of the visual patterns used.

Old Navigation

Navigation To-Do List

Improve overall visual hierarchy and space use
  • Reducing the visual clutter of the secondary navigation component

  • Increase the visual weight of the main call-to-action

  • Decreasing the visual weight of each label

  • Decreasing the amount of labels

Facilitate the user's search for information
  • Introducing quick access to the most visited pages of the website

  • Removing deeper pages with low business and user impact from the dropdown menus

  • Creating visual hierarchy within each dropdown as well

Live Version

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